Three ways to work with us
Kit, then crew, then the whole thing.
Every job is one of three modules, and each module includes everything in the one before it, so you only pay for the gap between what you already have and what the show needs. Fixed price, one contact, and the ticketing, the data and the audience stay yours in every case. The company page is event production in Thailand.
Pick a module
Each module includes the one before it.
Module by module
What is inside each one
Scroll sideways for modules 02 and 03 →
| What is inside | 01 Kit and stage | 02 Full production | 03 End to end |
|---|---|---|---|
| Stage, sound, lighting and powerDelivered, rigged, run and struck by our crew | Included | Included | Included |
| Stage build and strikeDecks, barriers, cabling, distro, generators, reinstatement | Included | Included | Included |
| Production manager on siteOne contact from first survey to reconciled invoice | Included | Included | Included |
| Crew and artist logisticsSite and stage managers, local crew, flights checked, hotels, drivers, riders | Not included | Included | Included |
| Permits and licensingDistrict, police, sound permit, alcohol licence, work permits | Not included | Included | Included |
| Managed budgetOne number, every line behind it, you sign it | Not included | Included | Included |
| Site finding and site designLandowners, resorts and venues we know; layout agreed on paper | Not included | Not included | Included |
| Bars, traders, security and medicalBuilt, powered, briefed and, if you want, operated | Not included | Not included | Included |
| ContentPhotographer, videographer, drone, aftermovie and clips | Not included | Not included | Included |
| Marketing, if you want it inside the contractTicketing, data and audience stay yours in every case | Not included | Not included | Included |
Which one do you need?
If you have a venue, a promoter and a crew and the room just needs a system that stands up to the show, that is kit and stage. If you have the artists and the audience and want one company to take the whole physical event, the permits and the money, that is full production, and it is where most promoters end up. If you have a date and an idea and nothing else, or a site and no crew, that is end to end.
Not sure? Send the date, the site and the capacity and we will tell you which module it is and what it costs.
What it looks like on the ground
Each module is worked through in the work: a venue show in Bangkok is kit and stage on top of a house system, a truss stage on a beach on the Andaman coast is full production for a promoter who has the lineup and nothing else, and a bamboo and scaffold festival stage on bare land in Chalong is end to end from empty site to aftermovie, built and written up with the numbers.
Where we build: Phuket, Bangkok, Bali and bare land anywhere in Thailand, and through the London office, dates in the UK, Portugal, Spain and Europe.
What the number is made of
Every quote is a list, not a lump. Each line is a supplier we have priced for that date and that ground, plus our crew days, plus the contingency we show rather than bury: the rain day, the generator fuel, the second truck if the access turns out worse than the drawing. You get it within a week of sending the date, the site and the capacity, and it names the module, the crew and the build schedule. When the show is over the invoice matches the quote unless the brief changed, and if the brief changed, the change was signed before the money was spent.
From full production upward the budget becomes ours to run: we pay the suppliers, file the permits, reconcile the spend and report it, so you sign one number and one contract. The same page sets out who does what on crew, artist logistics and licensing, and what the permit chain in Thailand looks like week by week.
Where marketing fits
Marketing sits inside end to end when you want it in the contract, and it is the only module where we take on the audience as well as the ground. We call it event marketing: the campaign that sells the show, and the experiential side of a brand activation, from the announce through to the clips that sell the next one. Ticketing, data and the audience stay yours in every case; we run the campaign, you keep the list. The event website and, where a show needs one, an app sit alongside it, inside the contract or on their own: see websites and apps for events.
If you already have a marketing team, full production is the whole physical show with nothing on the audience side, and the two teams meet at the production schedule. Either way the physical build is the same crew, the same kit and the same production manager, which is the point of the modules: the show does not change shape depending on who is selling it.
Tell us the plan.
Date, site, capacity and what you have so far. We come back with the module, a number and a crew list.
Start the conversation →