Built, not proposed
Stages that stood up. Shows that started on time. Sites handed back clean.
One build and two worked examples that show what the modules look like on the ground: a festival stage on bare land in Chalong, written up with the numbers, then a truss stage on a beach on the Andaman coast and a kit and stage show in a Bangkok venue, each worked through the way we would run it. All three follow the same shape: the brief, the ground, what we build and what we plan for. Client names are left out on purpose; the promoters own their shows and we own the delivery. For the company page see event production in Thailand.
How to read these
Every write up follows the same shape because every job does. A brief with a date, a site and a capacity. A site that is never what the photos suggested. A build with a schedule, a crew and a weather day. A show. A strike. The Chalong build carries the numbers, which are the part most production companies leave off their websites.
The three modules show up across them. The Chalong build is end to end, from empty sand to the aftermovie. The beach stage is full production for a promoter who has the lineup and the audience. The Bangkok show is kit and stage on top of a venue's own system, plus our crew.
What we look for in a job
A promoter who knows their audience and wants a partner for everything physical. A site with a landowner or a venue that has said yes in writing. A date far enough out for the permits to run. And a budget that is honest about the ground: sand costs more than concrete, islands cost more than mainland, December costs more than June. If that is you, tell us the plan. If you want to see where we work first, the places are Phuket, Bangkok, Bali and bare land across Thailand.
Got a site like one of these?
Send the date, the ground and the capacity. We will tell you which of these it most resembles and what it takes.
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